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Ciat Lonbarde | Stuber |
Description | As the designer describes: Stuber is based on Duber. Now the Stuber still has the filtering capabilities of the duber, but it adds an analyzier section. For each of the two filters (A and B) there is an analyzier for highpass and lowpass. Each analyzier consists of a squarewave-ifier, a binary divider, and then a resistor based distribution band. So you get all kinds of signals slow and fast derived from the filters themselves. These come out through the case as brassos, as well as being manifested in the central light pulsar window. There are big copper modulation inputs for the two filters, so the frequencies can move around based on the digital stepped analyzier signal derivations. For each filter there is a knob for frequency and resonance. There are three inputs (A,COMBO,B) and three outputs (A,COMBO,B). |
Brand | Ciat Lonbarde |
Model | Stuber |
Device | Synth |
Type | Desktop |
Engine Type | Digital |
Engine | VA |
Voices (max) | 1 |
Multitimbral | 1 |
Oscillators | 2 |
Engine Detailed | 2 OSC Square |
Filter (VCF) | 2 High Pass, Low Pass, Resonance, Parallel |
FX | Dual filter modulations |
Keys | 0 |
Key type | N/A |
Velocity | N/A |
Aftertouch | N/A |
Produced: | 2007 |
Legend: | Obvious | Y: Yes, N: No, N/A: Not Applicable | |
VCO | Voltage Controlled Oscillator | DCO | Digital Controlled Oscillator |
LFO | Low Frequency Oscillator | Sub | Sub Oscillator |
VCF | Voltage Controlled Filter | VCA | Voltage Controlled Amplifier |
Velocity | As with a piano, the harder you hit a key, the louder the sound, unlike most organs which always produce the same loudness no matter how hard you hit a key. | Aftertouch | Pressing a key after you activated it. Channel Aftertouch, no matter which key, it will send a Channel message. Poly Aftertouch, sends the pressure per key instead of the whole channel. |
Values for OSC, LFO, Filter, Envelope are per voice unless stated otherwise. |